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Misty Morning
Misty Morning
Misty Morning

Misty Morning

Artist (Filipino American)
Date2022
MediumGouache on paper
DimensionsUnframed: 15 in. (38.1 cm) Framed: 19 3/4 x 15 3/4 in. (50.2 x 40 cm)
ClassificationsPainting
Credit LinePurchased with funds from the Escalette Endowment
Object number2023.6.1
Label Text"Influenced by the oral history of my family’s arrival in the United States from the Philippines, as well as the colonial relationship between the two countries, my paintings infuse these narratives with memory and care. Figures appear and disappear in lush landscapes, domestic interiors, and colonial structures. Deep blues and reds suggest dark realms where superstition, myth, and history blur. Evoking a hybrid sense of place, they serve as metaphors for migration and assimilation.

In 2017, at Chicago’s Newberry Library, I researched Damián Domingo’s watercolor album, Isabelo De los Reyes’ El Folk-lore Filipino, and the Dean C. Worcester photographic archive. The Worcester archive was commissioned by the US government to document the imperialist project of William McKinley’s “Benevolent Assimilation” and Rudyard Kipling’s “White Man’s Burden”. Together, these sources presented an image of Filipinos constructed through native eyes and through the eyes of the other.

I was drawn to the people in the pictures and felt the impulse to remove them from this historical framework. With the detailed and loving care of Domingo’s watercolors in mind, I drew figures, plants, and other elements from the archive. Then, I cut out each drawing, creating a new library of cutouts: people, animals, foliage, moons, and mountains. The pieces were then placed in various arrangements and recorded via graphite rubbings. This process allowed for the cutouts to be combined into potentially infinite visual narratives and led to the generation of full color oil paintings.

Improvisation through color and composition mimic the spontaneous manner in which oral histories are recounted. Figures mingle with specters with defiance and gentleness. In contrast to the heavily captioned US photographic archive in which a westerner claims a singular narrative about a group of people, these paintings seek to resist such categorization, with agency, without explanations or captions." - Maia Cruz Palileo
Status
On view
Location
  • Beckman Hall (1 University Drive), Floor 4, 400 Corridor
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BlogsMaia Cruz Palileo: De-Orientalizing Heritage Through Art

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