Jay Lynn Gomez
Born in the Inland Empire, Gomez left art school to become employed as a live-in nanny. Finding herself in between the privileged realm of art, and encumbered by practical concerns, Gomez understood the power brewed in the unspoken. Just as with her formerly undocumented parents who worked as janitors and graveyard shift truck drivers, Gomez realized a strong, albeit implicit, demand to be on the sidelines, unseen, and avoid interaction with his employers while working as a caretaker. Her artistic practice astutely responds to the marginalization, by insistently making workers visible, describing the unspoken, and imagining the unrepresented.
Gomez’s moving critique gently bears witness to commonplace social and economic injustices, implicating those who benefit from these buried exploits, and urging restorative change.
-Denise Johnson, "My Barrio" Exhibition Catalogue
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