Benjamen Chinn
During World War II, Chinn served in the Pacific as an aerial and public relations photographer for the U.S. Army Air Corps. After the War, he returned to San Francisco and enrolled in a new fine-art photography program at CSFA. The program, inaugurated in 1945 by Ansel Adams and Minor White, was the first in the country dedicated to fine art photography. The first years of the program, known as the "Golden Decade," cultivated a close-knit group of photographers who were not only technically adept, but also keenly tuned to their own visual voice and the artistic potential of their medium. Chinn, in particular, excelled in capturing intimate details of everyday life in the post-war era.
As a student, he gained recognition chronicling the unique and changing world just outside his doorstep: Chinatown in San Francisco. Throughout the rest of his career, Chinn travelled frequently; his photography is marked by an innate sensibility for form and composition, as well his curious and unassuming nature behind the camera.
In 1950, Benjamen Chinn, equipped with two large-format cameras—one four-by-five Linhof view camera and a Rolleiflex— travelled to Paris to photograph Parisian street life. During this time, the 29-year-old Chinn continued his art training: he studied sculpture with Alberto Giacometti at the Académie Julian, took painting classes at Fernand Léger's school, and studied geography and philosophy at the Paris-Sorbonne University.
In Paris, Chinn photographed families, musicians, children, students, shopkeepers, workers, street-performers-- every aspect of daily Parisian life. Without the use of a darkroom, he developed the photographic negatives, but he never printed or saw any of the images until after he returned to San Francisco.
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